Who We Are
Playwrights' Platform is a diverse group of Boston-area playwrights who share a commitment to the cooperative development of quality theater. On this page, we post the bios and contact information for some of our member playwrights.
(If you are a member of Playwrights' Platform and you would like to be included on this page, please Send an email to the webmaster. We'd be happy to include you!)
Mr. Boulrice has been affiliated with professional acting companies for many years. He was financial manager of The Human Ensemble Repertory Theatre in Salt Lake City, Utah during the mid-seventies. The playwright wonders why it took him so long to put down the ledger and pick up the quill. Recent productions of Bob's plays include: Write Something For Me and Oy Yea, Oy Veh at the Stagecrafter's Festival produced by the Baldwin Theatre, Royal Oak, MI; Uncle Colin's Garden Party was performed at the Fort Point Theatre Channel in Boston, MA; and Bob's updating of the Robin Hood saga, Tidewater 4-10-0-9 was produced as a radio play for the Spoken Word program at WBRS 100.1 FM, Brandeis University, Waltham, MA. Bob’s play A Bar A Man Walks Into was performed at the Image Theatre in Lowell, MA and was awarded the coveted Playwright’s Choice Award for Best Play at the 36th Annual Playwright’s Platform Festival in Boston. A Simile will be performed during January, 2010 at the Firehouse Performance Center in Newburyport, MA and the Turtle Lane Theatre in Auburndale, MA. Also in January, Oy Yea, Oy Veh will be part of the Gecko in Winter Festival in Cambridge, MA. Bob serves as the co-curator of the Play Pen, a writer’s development group housed at the Central Square Theatre in Cambridge, MA, home of the Nora Theatre Company and the Underground Railway Theater. The playwright is a member of Boston’s Playwright’s Platform and the Write-On group, as well as the Dramatists Guild of America, Inc.
Sandy Burns has been writing and co-writing plays since 1992. He writes comedy, following the aphorism of Horace Walpole, "To those that feel, the world is a tragedy; to those that think, the world is a comedy." After a brief career on the technical side of theatre in college and in summer stock, Andrew went on to an even more checkered career in academia and industry. He is now trying playwriting as his next career alternative, while also teaching at MIT.
Hortense Gerardo is a writer and anthropologist and is the director of the performing arts organization, in vivo Productions. She inaugurated the Gecko Play Reading Series on Cape Cod and since 2005 it has been produced annually by the Cambridge Center for Adult Education, currently known as The First [W]rites Series. Her work has been performed locally at Playwrights in Performance at MIT, and at the Annual Summer Festival of New Plays by the Playwrights' Platform in 2005, 2006, 2007, 2008 and 2009. Her short drama, In the Wake of the Horsemen, was selected for the 
Ellen began writing plays in 2006 after more than twenty years writing unpublished fiction. Apparently joining Playwrights' Platform in 2007 was the secret to writing success because since then two of her short stories have been published. Yiddish Land was selected for the 3rd place prize in Moment Magazine's short fiction contest and appears in the November/December '08 issue (online at www.momentmag.com). Memoril appears in the debut issue of the literary journal 94 Creations. Her short play The Unveiling was given a staged reading in 2008 at Our Voices Together and was performed at the 2008 Playwrights' Platform Festival. It was also selected by the Association for Theatre in Higher Education for its 2008 New Play Development Workshop. lndsullivan@comcast.net
Dan's first play, "Five Guns, Four Bullets," was highlighted in New York Magazine when it was performed in the 2006 8 Minute Madness Festival in NYC. It was seen again in September 2007 as part of the Mill City Minutes Festival in Lowell, Massachusetts. His short play, "Choices," won the Audience Choice award for Best Play in June 2007 at the 35th Playwrights' Platform Summer Festival in Boston, Massachusets. His play, "What's Really Good," was produced in NYC in the 2007 8 Minute Madness Festival and in September 2007 was included in the Ghostplays reading series of the Tennessee Williams Festival in Provincetown, Massachusetts as well as in the October 2007 New Provincetown Players Fall Festival. In July 2008 he attended the Kennedy Center Playwriting Intensive in Washington D.C. His play, Smoke, won Audience Choice and Playwrights' Choice awards for Best Play in June 2009 at the 37th Playwrights' Platform Festival, Boston. He is Secretary of the Board of Directors of Playwrights' Platform and an associate member of the Dramatists Guild. E-Mail: 
Ludmila Anselm was born in Siberia, where she lived through the war and studied until entering Leningrad State University. She graduated in 1956 and did research in solid state physics for many years until she decided she was more interested in theater than in atoms. She has been living in Boston since 1997. She is a specialist in Shakespere and Russian authors and poets. 
Marika Barnett was born in Budapest, Hungary in 1934. A survivor of the Holocaust, she escaped Hungary as a young college student after Soviet troops crushed the anti-communist revolution of 1956.
I discovered over the course of fifty years that I was raised in southeast Missouri near the St. Francis River Valley, the grandson and great grandson of the Cherokee. I belong to the Western Cherokee Tribe in Salem, Missouri. My life's experiences (so far) have included two years of military training, twenty-five years of carpentry, forty-five years of gardening, ten years of university studies, including a Master of Arts in playwriting from the Goddard Graduate Program and a Master of Education, Language Arts. I began writing plays in November, 1974. As a writer, I have been a Fellow of the McDowell Colony, the Millay Colony, the Edward Albee foundation, and the Playwrights Lab sponsored by the Pew Charitable Trust. I am the recipient of several monetary grants from Pennsylvania and productions in New York City and Washington D.C.
I've taught playwriting from grade school to graduate school, and in art institutes and theatres: UCAL, Wilma Theatre. I've taught in the Young Playwrights Program: From Dream to Drama in a middle magnet school in Philadelphia. I live in Brookline, MA, where the writing goes very well.
A member of The Dramatists' Guild of America, Lydia Bruce has been writing and co-writing plays since 1992. She greatly appreciates the early intervention and input from Platform members, and attributes many successes to the constructive feedback from the organization. A full-length play, At The Heart of Art, that she co-wrote with Andrew Burns, won the 10th Annual Regional Playwrights Festival at GeVa, a LORT theater in Rochester, New York. As a member of the Ethics Officers Association of America, Lydia managed ethics investigations, developed training programs, and coordinated ethics activities for a corporation based in Stamford, CT. Playwriting has always provided a creative balance to business commitments. Her home, in upstate New York, was converted from a grain storage barn. She can be contacted at 
Kelly DuMar began writing plays just after publishing her non-fiction book, Before You Forget - The Wisdom of Writing Diaries for Your Children in 2001. As a psychotherapist for many years, Kelly expressed her passion for theater by directing psychodramas in therapeutic settings. Currently, she devotes her time to writing plays and offering Diary Door writing workshops, and she has been a member of Playwrights' Platform since 2001.
Peter M. Floyd is a New Hampshire native who currently lives in
Brighton. Although he has been involved in Boston-area community theater
for many years as an actor and director, he began writing plays only in
2004. His plays Possibilities and The Little Death had their
premieres at MIT in the Summer of 2005. Since then, Possibilities was
included in the 2006 Boston Theater Marathon, and The Little Death
appeared in the 2006 Playwrights' Platform Summer Festival, where it
received the Audience Choice award for best play. By day, Peter is a
software quality engineer. He can be contacted at 
Chris enjoys finding a home at Playwrights' Platform, where the depth of
talent is impressive and the feedback from other playwrights so
insightful. Chris began penning plays after college with S.P.A.C.
a short play about student protests. For many years his primary
scripting was for educational videos and recordings. In the last decade
he has taken up creating drams again. His one act, A Mother In My Head has won
several awards and Our Appointed Rounds has been performed in community theater.
His wedding farce, Wendy and Wendell's Wonderful Wacky WASP Wedding
was performed at the Sherborn Inn. Chris also enjoys writing ten-minute
plays and musical comedies. An experienced director, he is also interested in
staging others' works. 
George has had five plays produced, including Alone Together, which was also short-listed for the Selection Committee at the O'Neill Playwrights Conference in Waterford, CT, and A Thin Thread which was directed by Charles Werner Moore at Brandeis U in Waltham, MA. He had, or is having short plays produced at the Ritalin Readings and Theatre Diversified at the Theatre Cooperative in Somerville, MA, the Pregnant Chad New Plays Festival 2004 in Cornwall-on-Hudson, New York, The Playwrights Platform Summer Festival in Boston, the Arlington Friends of the Drama Short Works Festival in Arlington, and the Hovey Summer Shorts Festival in Waltham. He received his MFA from Brandeis and has two wonderful and unusually gifted daughters.
Richard is an award-winning playwright,
poet, artist, journalist, filmmaker and educator. He was a finalist
in the grant competition in playwrighting for the Massachusetts
Artists Foundation (1976) and recipient of an ARTA (American Regional
Theatre Award) best new play award in 1986.His play, "Happily
Ever After", received an Honorable Mention in the Writer's
Digest playwrighting competition in 2004. His has had staged readings
and productions at various places in Massachusetts.
Gail Phaneuf has penned several plays and her
musical, (co-written with Ernie Lijoi), MONSTERS! was chosen as a 2005
finalist for the Rod Parker Playwriting Competition, and was produced in
September 2006 at CentAstage in Boston. Visit: (
Since Phyllis joined Playwrights' Platform in the fall of 2005, three of her plays have been produced at the Playwrights' Platform Summer Festival, including The Offer, (runner up for the 2006 Playwrights' Choice Award), Breeding Season, and most recently, The Entertainer(winner of the 2008 Audience Choice Award). She has had several staged readings of her comedy,Pull a Costner at the Image Theater in Lowell, SWAN (Support Women Artists Now) Day at Boston Playwright's Theater and at the Our Voices Festival of Women Playwrights at Wellesley College. She is a published fiction writer, actress, voiceover artist and line coach.
As an actress, Phyllis has performed in over 25 theater and film productions in the Boston area. She has narrated two television series and has worked for over 50 clients in radio and television.
She can be reached at 
Andrew Wetmore lives in Lowell. His plays have been produced on both coasts and in eastern Canada. His oddest challenge so far was to write a murder mystery that was performed by Hampshire Shakespeare Company on the historic train running between Holyoke and Westfield. His biggest project to date has been to adapt the entire Bible for production as an audio play. The New Testament part of the project won Audio Book of the Year in 2007. Wetmore was the founding chairperson of the Dramatists' Co-op of Nova Scotia, and has worked with many playwrights to prepare their scripts for production. 